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» Short midbass horns
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» Audiophile Re-issues: Wh»
» The John Barbirolli’s wi»
» Dvorak Piano Quintet
» Micro RX5000: is that be»
» The Evolution of Honk.
» A magnetic hybrid driver.
» Where the Horns Light is»
» The most promising “best»
» Bach and kids…
» Hildegard von Bingen on »
» The DSET perspective exa»
» So sad that did not see »
» Loenid Kogan
» A subwoofer of death, no»
» TU-X1 setup
» What is High-End Audio, »
» High-End Audio Bass: wha»
» Engineering over Art
» Any good sounding AES/EB»
» What is the difference b»
» To move audio equipment »
» Brahms 4th Symphony in i»
» The cut or not to cut, t»
» The "NEW T.H.E Show»
» Accuracy vs. Musicality »
» Film about Jacqueline du»
» Learning to interpret RTA
» Hässler sonata: Gra»
» Revisiting DSP
» Bruckner 9 live in 30 mi»
» Bach's performing space.
» Bye-Bye, Fane
» Cellist Daniel Müll»
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Vintage EV speakers
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Wiener Philharmoniker Di»
Opera Collector Guide
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
APR 12 Jordi Savall & Hespè»
APR 17 American Views in Bo»
APR 17 In Search of New Wor»
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a woman takes the podium a»
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another trump blunder»
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it’s (almost) business as »
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REL Precedent 646C tuner
Purist Audio Design Pro»
SME M2 - 12" Tonearm wi»
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Altec 515B bass drivers
Pacific Microsonics Mod»
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Vitavox S2/S3 diaphragms
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