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» Andrew's new 4-way horn »
» Like theese?
» Anything wrong with wide»
» An interesting Russian p»
» Canadian Speaker Proposal
» Stop having a fear of ho»
» Macondo + Milq… very nic»
» The cPlay software.
» Null-set dipole butterfl»
» And a Bruckner 8 the day»
» Audio equipment vs. live»
» Don Quixote BSO Live tod»
» To drive the 6C33C...
» I wish I could speak Ger»
» What is wrong with Dipol»
» Emmerich Kalman (1882-19»
» Some Observations about »
» Kitties go to London
» Tweeter for Vitavox S2. »
» Analog is Back 2011: Wav»
» Goto SG-370DX measurement
» Audio industry metaphor
» Celibidache / bruckner
» Orphean horns / BMS driv»
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» Pham Thanh Cuong's playb»
» About DSET-driven multi-»
» Audio-tekne's "Tone»
» The Second stereo arm pr»
» My playback: what is nex»
» Stravinsky and Headphone»
Bookmarked are red
ElecroVoice’s Vintage Pr»
BachTrack
Greg Sando’s Site
GEMM catalog
Tchaikovsky's Compositio»
Tin Lee Electronics
BostonSymphony's Channel
Glenn Gould Audio Archiv»
Pianist Yakov Kasman
Michelangeli Discography
Electron Tube Data sheets
Graeme's Speaker DIY Pag»
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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APR 17 In Search of New Wor»
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Hillock TV-2 tube tester
Vitavox S2/S3 diaphragms
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Micro-Seiki MAX-282 To»
Micro Seiki RX-5000
Purist Audio Design Pro»
LF Transformer for 6C33C
Fane Studio 8 dual conc»
REL Precedent 646C tuner
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