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End of Life Phonostage
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» The Mercury "Rigole»
» The silence after coda
» Sonic consequences of re»
» Soundsmith’s analog idea»
» About the (secret) rules»
» Tedeska Cartridges.
» Tosca, Aida, Madama Butt»
» "Master Quality Aut»
» Ultimate Turntable?
» Choosing Someone to Refu»
» If you are in Bruckner: »
» Got new mid/high horns. »
» Munich 2017, Avantgarde »
» About the DAW playback s»
» How to USE “Resonating O»
» A stunning Beethoven’s “»
» The corrupted listening »
» Analogue to digital conv»
» The real goals of sound »
» Who the hell is this int»
» How High-End Audio can b»
» Ca(r)t before the horse:»
» JBL 2446
» Upper-Sound of Upper-Imp»
» Speakers: a hi-fi disast»
» OK, digitechs, why won't»
» Impressions from High En»
» About audio sales and h»
» Really Expensive DACs?
» How we "think"»
» About DSET-driven multi-»
» Dream Hi-Eff Speakers fo»
» ... and some Bruckner bu»
» Why I do not like La-hor»
» Lavardin discovery
» The Loudspeaker (Troels »
» I think my Dynavector 10»
» Conductors and Audio Sou»
Bookmarked are red
Jogis Röhrenbude's Site
Japanese Translator
Pjay's Speaker building »
Decca Classical discogra»
Lenard's Opals monitor
Classical Music Network
Phono EQ
Norman Lebrecht's blog
Ward Marston's "Marston"»
Radiotron Designers Hand»
Tahra Records
Rottenburger Museen
More Links »»
Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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Kenwood L-02T FM Tuner
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Micro-Seiki Arm Board
Korvet “Egg” Tonearm
Vitavox S2/S3 diaphragms
Altec 515B bass drivers
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