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» To hear Haydn for a firs»
» The absolutely “best” ma»
» Real-time free and publi»
» Why I hate computer play»
» High-End Audio. The thir»
» French Horns/drivers sho»
» 2011 Brucknerathon
» An objective tool to tra»
» Very interesting
» A beautiful miller's dau»
» The Jeff Day’s Westminst»
» How does [Phaseplug Desi»
» Records Box Stuffing
» Copland/BSO/Copland
» Children's playground in»
» The Multicells HF Horns.
» Analogue to digital conv»
» Chicago Horn Loudspeaker»
» Hi from Melbourne, Austr»
» I need a “second-type” p»
» NAT Audio Magna -160 Wat»
» First order filtration a»
» The strings period: the »
» A tale of two DACs
» Help with Math needed.
» Macondo – Super Melquiad»
» His Master Voice’s Shade»
» Audio Covid and some hom»
» Furtwangler War Years Re»
» Zander, BPO, George Li a»
» Bruckner 8, the document»
» DC offset for A/D conver»
» Arranging my records col»
» Klipsch Jubilee
» Volti Audio's Vittora
» The silence after coda
» Mravinsky/Leningrad from»
» The Home Theater thought»
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MetManiac Opera Archive
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Paul's Antenna Attic
Duke Classical
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 30 Dima Slobodeniouk, c»
APR 30 Semiosis String Quar»
APR 30 Facets in Cambridge »
AUG 1 BU Tanglewood Instit»
AUG 1 Mozart: The Marriage»
AUG 1 Esa-Pekka Salonen, c»
AUG 2 BU Tanglewood Instit»
AUG 2 Andris Nelsons, cond»
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he wasn’t toscanini, but h»
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it’s (almost) business as »
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Altec 808A compression »
Pacific Microsonics Mod»
Micro-Seiki air-suspend»
LF Transformer for 6C33C
Lamm ML-2 Single-Ended »
Korvet “Egg” Tonearm
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Altec 515B bass drivers
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