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» The John Barbirolli’s wi»
» Charles Schlueter’s inte»
» The low-power SET and de»
» Tedeska Cartridges.
» A new 'chic' foolishness»
» Bruce Edgar dies
» Single-stage Melquiades »
» Van den Hul 's Grail
» The Daniel Hertz M1 ultr»
» Japanese Super High Mate»
» A very good horns system.
» A perfect "High-End»
» Bruckner at 24bit.
» Gaussmeter wanted.
» Why the tubes shall be t»
» WGBH Opera Bash 2009
» Alessandro Baricco's &qu»
» Miniumum sample rate for»
» Bravo Brahms, Bravo Wand»
» Beethoven PVC Trio, Opus»
» The state of High-Effici»
» Vendors’ Egos.
» Emmerich Kalman (1882-19»
» In appreciation of Koshka
» Vasily Petrenko in Bosto»
» The Sound and How We Hea»
» The High Resolution PCM »
» SCAM! Horn - Academy Phi»
» A horrible re-performanc»
» Czech Republic's Audio
» Chesky's violin concerto
» What constitutes a great»
» Trinnov amplitude and im»
» Best of the HE2006!!!
» The A=432 Hz Frequency
» Who the hell is this int»
» The New York Philharmoni»
» A right midbass solution»
Bookmarked are red
Audio Anthology
Higherfi.com
ClassicalNet
Tempo-Electric - Arthur »
Exponential/Hyperbolic C»
The Music Parlour
Orchestra of the Age of »
Cedille Chicago
Unofficial Vitavox Site
Stereopal
Norman Lebrecht's blog
Rottenburger Museen
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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