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» Mystery Horn ? ? ? anyon»
» Transition : Driver to t»
» The path of simplificati»
» The “Melquiades” Sound -»
» Audio and the “Alzheimer»
» New paradigm - what an &»
» A Cardboard Effect.
» To drive the 6C33C...
» (monitor vs hifi speaker»
» Some thoughts about bass»
» Taking the mystery out o»
» What is the buzz: the V-»
» Disregard the industry p»
» Someone is DSETing, it s»
» Benjamin Grosvenor is co»
» How to select mid/upper »
» About cost of electromag»
» BD-Design’s Orelino
» Nanse Gum and his Euro-A»
» A new strange but predic»
» Omni-directional 'horny'»
» Appearance of listening »
» Get, or made up a tube t»
» The Supernatural Josef H»
» How to listen High-End A»
» Experimental horn
» Stop buying the records »
» Aries Cerat Contendo - t»
» Non-MDF horns
» Today’s SACD - music for»
» The tools to listening s»
» De-stress not decompress»
» Sibelius VC; Furtwangler»
» Happy New Year
» Rachmaninoff Piano Conc»
» Bruckner 8, the document»
» Philmundi Story about ho»
» MDTunes™ from SoundLab l»
Bookmarked are red
Linkwitz's "Laboratory"
Classical Music Network
Greg Sando’s Site
About FM Antennas
Boom's Dungeon
StateWork Broadcast Reco»
Loudspeaker Designer's G»
ClassicalNet
Sound Tourism
MetManiac Opera Archive
Perer Gulmann's Classica»
Audio Perfectionist
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 11 Benjamin Zander, con»
APR 12 Chamber Music in Nee»
APR 12 Magdalene Ho, pianis»
APR 12 Takács Quartet in Gr»
APR 12 Takács Quartet in Gr»
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Vitavox S2 Compression »
Ortofon Mono CG 25 Di c»
Altec 808A compression »
Altec 515B bass drivers
ESS AMT-1A Heil Air Mot»
Micro-Seiki Arm Board
Micro-Seiki MAX-282 To»
CEC TL-0 MK2 transport
Mid-range tantrix round»
Electro-Voice T350 twee»
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