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The audio preview of the audio part of my Book

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Melquiades SET Amplifier
Macondo Acoustic System
End of Life Phonostage
Audio Demoronizator AD-1
My Exotic Audio Leftovers
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» Puccini: Tosca
» Weber’s "Andante e »
» Sound from behind a wind»
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» Some Horns propaganda
» A new kid in the block: »
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» Choice of Fireware Inter»
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» Hypex for ULF?
» Romy the Cat's site
» Eventually - a reasonabl»
» Radio Netherlands’ Live!»
» Stop having a fear of ho»
» Herbie's Hal-O Tube Damp»
» The "artificially&q»
» Macondo's Axioms: Horn-l»
» The UnipheyeMusic and St»
» Updated view: The Optima»
» A DSET is better then an»
» I built this device
» About Audio and Cooking »
» Replacing 802 G and 811 »
» Do not “compare” audio e»
» Write your own ploy of t»
» The Abington Something =»
» Anybody using vacuum hol»
» Macondo’s Midbass Projec»
» About Omnivorenes of Pla»
» About the DAW playback s»
» A weekend of treats by B»
» Janine Jansen
» How the things are getti»
» Devid Berning amplifiers»
» Benjamin Britten’s Violi»
» The Edgarhorn RTA respon»
» Shock-absorbing tube soc»
» Bad orchestras shell not»
Bookmarked are red
The National Valve Museum
Western Electric manuals
About FM Antennas
Silent Running Audio
Great Hong Kong Blog
Ward Marston's "Marston"»
Spinning Dog Records
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Alexander Karpov’s “Next»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
Mid-bass Hornresp (V51.30) simulations 1895 
You will never know until you try! 1893 
Rowuk is right,,,, 1893 
Some boring design philosophy. 1892 
140 vs 110 hz horns 1888 
140 vs 110 Hz horns 1871 
140 vs 110 hz horns 1852 
John Inlow has the answer to your question 1852 
Stay away 1852 
"advice" 1851 
What is so hard? 1850 
Sometimes SPL is just SPL ... 1850 
But size does matter 1849 
DSP? 1849 
We have to separate the "path to" and "arriving" 1849 
Depends.... 1848 
MF trick 1848 
A "Key" Insight 1848 
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