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In the Forum: Playback Listening
In the Thread: Benefits of hallucination in Audio
Post Subject: Benefits of hallucination in AudioPosted by Romy the Cat on: 3/17/2026
First think first, this is not Alan Whites, and it is not his efforts to adopt Daoism and Laozi's writings to West, this is pure and simple AI hallucination.
  
I want to share this video not as something I agree with in any literal or scientific sense, because I do not subscribe to the idea that emotions are actual frequencies interacting with a quantum field, but rather as an example of how metaphorical thinking can influence the way we interpret our experience, and I think there is value in occasionally stepping outside strictly factual frameworks and engaging with ideas that are imprecise or even incorrect if they provoke a shift in perspective, because in disciplines like audio and perception we already know that experience is not purely objective and that interpretation plays a significant role in what we hear and how we evaluate it. Since last year my personally focus shifted where I find myself less interested in technical minutiae such as how a specific cable elevator’s height or plate current affect the sound and more interested in understanding my own perceptual and emotional response, meaning that if I hear something or feel something during listening I want to know why I feel what I feel rather than immediately attributing it to external strictly audio variables.
  
When I refer to something as external, I specifically mean the idiosyncrasies of a given playback performance in terms of audio quality rather than the internal perceptual process itself. So instead of asking whether the claims in the video are true I am more interested in whether the language and framing can help us reconsider how we relate to sound, expectation, and subjective experience, and whether exposing ourselves to unconventional or even flawed ideas can loosen rigid patterns of thinking and open up new ways of listening. Not as a replacement for technical understanding but as a complementary layer that acknowledges the role of perception, psychology, and meaning in our engagement with audio. So, I am offering this not as a theory to adopt but as a stimulus for reflection, to see whether anyone finds that approaching things through metaphors rather than strict analysis changes anything in how they perceive or evaluate what they hear, even if only temporarily.

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