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Romy the Cat wrote:

The major minor thing remains to find different lower bass. I said “minor” thing as my lower bass is not bad, in fact I do insist that it is very proper lower bass as I did set it up lately properly…..Despite that I insist that my currant bass is the PROPER bass I still would like to have slightly different, I have a feeling HOW it shell sound but I do not know at this point how to express it to myself in the format that I would be able to understand or implement. The things with bass will be continuing but without emergency of any kind.

Romy the Cat wrote:

However, the last few months, since I finished my midbass project, my views slightly changed. Nowadays I would like to have less ULF to midbass integration and I would like my ULF NOT to be a continuation of Music but rather to be a separate stand-alone awareness of Sound.  It is not as bad as it sound in writing and it need to be demonstrated, not explained at a web site. Unfortunately I can’t demonstrate it even to myself and I have the notion as a pure fiction of my mind, sort of a hallucination, a dream that I would like one day to render as a reality.  I do not have an itch about it, I perfectly might go along without it, using ULF as they are but if I do something about my ULF then I would like to navigate explicitly to what I want.

I do think about my lower bass, trying to get what I want. My current bass is very “integrated” and very musical. It low, it is large, it is extended and it is in away grandeur and it has nothing close with faulty Hi-Fi impressiveness. It never take over sound and never indicate the “bass efforts”. It is what it is and listening music with this bass I have no motivations or need to improve anything in lover bass.

However, I do have interests to have my bass to act differently.  What I would like is not the change of bass itself but the change how my room is being filled with bass. I mean I would like to be able to sense that my bass channel is on while my playback is not playing. I mean I would like to bias up my room by some excessive ULF pressure from my lover bass channels. The properly ULF biased room eats bad sounds. The LP clicks, the tape hiss and any other externals noises become not to be noticeable and the room gets that feeling of “space of empty opera theater.” The ULF channel us a mechanism to extend the boundary of the pool into which one dives – the larger pool the less back reflections from the pool boundaries…

I kind of know how to get the ULF to do the “boundaries bias” but what I reach any more effective ULF biasing I do corrupting my auditable lower and midbass. So, I kind of looking and understanding what kind alternative lower bass I might have in order the lower room biasing bass to be a separate entry with my musical lower bass. I do not have a solution yet and I am keep thinking about it. Right now I am waking around my clients offices, knocking the walls and desks and listening how they response. I am looking for an inspiration, perhaps in a wrong places...

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