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In the Forum: Playback Listening
In the Thread: The “Dead Points of Live Sound”
Post Subject: I hate, hate hate you John Hasquin!Posted by Romy the Cat on: 9/16/2005

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Continuing in my quest to the finding the new DPoLS with my Super Milq I did some “critical test listing” today. I’m certainly getting closer. I spent a few hours to play with the playback and I recognize that the first signs of the approximation of the DPoLS have begun to manifest themselves.

For instance the narrowing distance between the channels increase the width of that damn audiophile’s soundstage, whatever it worth. Generally the setting the speakers wider from each other make soundstage wider. Yes, with the certain topologies and with very certain infrequent applications moving the speakers closer might wider the soundstage. However, no mater how you make it wide (moving speakers closer to each other or further) it always has a reaction by diving the center image deeper INTO the soundstage, creating a virtual soundstage horseshoe.  The fan part that when the loudspeakers are closeting to the DPoLS then the narrowing speakers or toeing then out create a wider soundstage AND at the same time the center image movies FORWARD. The effect is larger the closer the loudspeakers to the DPoLS. (When loudspeakers ARE in the DPoLS then the entire concept of soundstage get wiped out)

Another, factor that signalizes that my Macondos are closing to the DPoLS is the ability of the speakers sound in and out of default listening space like “live” Sound. You know, when you approach for instance a brass band playing form its side then you do not hear it as you hear a loudspeaker form it’s side. However when the loudspeakers in close proximity to the DPoLS then the feeling off and on the “side sound” is VERY different that typical might be exacted from audio, not to mention the horns (When loudspeakers ARE in the DPoLS then the entire concept of “side” sound get evaporated)

I wish I would not screw the things up farther up and will be able to catch the exact DPoLS. My estimate that I’m 25%-30% in  there. It gives abstractedly speaking 10% of “better sound”. When I will be 60%-70% there it will yield an extras 20% of “better sound” and when the Macondo will be exactly at the DPoLS then it will produce 300% of “better sound”.  Still even now it is quite fascinating to listen it.

For a time being I really hate this man: John Hasquin. Each time when I move a speaker for ½ inch I grab this damn upper-bass horn along with it’s zillions kilograms and I curse the day when I was introduced to John.

The caT

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