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» Submerging deeper into A»
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» About speakers Imbedded »
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» Beware of "Higher F»
» Lecture on history of ar»
» Those experiences. Early»
» Rightsizing from extreme»
» RCA’s Sound And The Story
» Upcoming Bruckner 4
» Class “D” – the industry»
» Apple helped kill FM...a»
» "It" Thread
» Gaussmeter wanted.
» Russian mythology and Ho»
» BiDat: One more output
» Macondo – Super Melquiad»
» Bye-Bye, Fane
» SS Power Amps - the FoxN»
» Dpols?
» Tchaikovsky’ Death
» My Analog Playback: the »
» Dream Hi-Eff Speakers fo»
» Smetana's Piano Trio
» Short midbass horns
» Why second tonearm/cartr»
» The Avicenna's failure i»
» SCAM! Horn - Academy Phi»
» BBC: Composer of the Wee»
» What 10k Buys You These »
» New bottlehead dac
» The strings period: the »
» Tokyo Opera City Concert»
» Updated view: The Optima»
» A tribune to Transient E»
» THE Show, 2016
» A great production of th»
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Vladimir Lamm Site
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Michelangeli Discography
Greg Sando’s Site
The Opera Critic
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Great Plains Audio
Ron Penndor's Recollecti»
Delta Entertainment
Classical Collections
Input Choke & Resonant C»
Nornan Lebrecht's blog
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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APR 28 A Messiah for Our Ti»
DEC 2 Handel: Messiah in C»
DEC 3 Verona Quartet in Bo»
DEC 3 Brandeis Chamber Sin»
DEC 3 Handel: Messiah in B»
DEC 4 First Monday at Jord»
DEC 7 On Christmas Night i»
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classical music news. diab»
another trump blunder»
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Monn, Mathias Georg (9 Apr»
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Pacific Microsonics Mod»
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Lamm Industries M1.1 Mo»
Electro-Voice T350 twee»
Lamm L2 Reference pream»
Koetsu Onyx Platinum Ca»
Rohde & Schwarz EU-6201»
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