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» I good spot-light for a »
» A new amplifier from Aud»
» The nature of "soun»
» Who builds horns?
» Digital crossovers self-»
» The John Barbirolli’s wi»
» Eben X-3 loudspeakers -»
» Ah Mravinsky !
» The Kato-san's Goto »
» Driver Alignment, and Wh»
» Bye-Bye Reel
» Six years of continuing(»
» A quest for a better SET.
» Moscode, Morecode, Moron»
» EdgarHorn Speaker Project
» How to sell high-end aud»
» Shostakovich‘s "Suite on»
» European Triode Festival»
» Danley's optimised paral»
» Small double bass horn f»
» Seven phases in the life»
» A new European productio»
» There is Bruckner and th»
» Not new, but VERY intere»
» How would you handle it?
» Friedrich Kuhlau and his»
» Trinnov amplitude and im»
» The mystery of reversed »
» The Full (fuller) Range »
» "It" Thread
» LeCleach vs. tratrix and»
» Acoustic Treatments That»
» Bookshelf Horns
» The LavryBlack DA11 Ster»
» Memory Player Box?
» 5 way system in the UK
» The state of High-Effici»
» My reading for a “smalle»
Bookmarked are red
The Music Parlour.
The Leonard Cohen Files
Rottenburger Museen
Stereopal
Phono EQ
Classical Music Network
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Technical books online
Greg Sando’s Site
Avie Records
Ward Marston's "Marston"»
Sibelius Academy music l»
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AUG 1 Borromeo String Quar»
AUG 1 Cantos y Suspiros in»
AUG 1 Danish String Quarte»
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REL Precedent 646C tuner
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