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» An objective tool to tra»
» Interview with Daniel We»
» Analog is Back 2011: Wav»
» Why horn-loaded loudspea»
» Thoughs about “My Playba»
» Two-stages, hybrid, smal»
» The mystery of reversed »
» An amplifier for Tweeters
» Altec Model 19 in Boston.
» Prices in High-End Audio.
» MF on AF2, and (perhaps)»
» Listening Pipe Organ Mus»
» Arsenic bacteria & G»
» Strings reinforced sound»
» Denouncing of idea of Ba»
» From bad Opera to good O»
» DIY Firefly Horns
» Dick Burwens "low c»
» Chord QBD76 - the new dac
» High End 2012 in Germany
» A quote from a Japanese »
» Time alignment of drivers
» Van den Hul 's Grail
» Midbass injection channel
» Romy Sells Out
» Tritium Turntables
» Modifying TAD 2404
» Rachmaninoff’s Symphony »
» Cerebral and psychologic»
» Bach by Ormandy’s Philad»
» The 3rd music revolution»
» Why people still sell co»
» Oliver Sacks' "Musi»
» The “Implied Sound” in A»
» THE Show, Irvine 2018
» It is imposable to “hear»
» How to build the best au»
» Rhapsody for Tape Record»
Bookmarked are red
Vladimir Lamm Site
Tchaikovsky's Compositio»
ElecroVoice’s Vintage Pr»
Ward Marston's "Marston"»
Classical Music Network
Martha Argerich Site
Lied and Art Songs
Japanese's HiFiDo
Doremi CD label
Dolmetsch Online
Input Choke Calculator
Orchestra on Demand
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AUG 1 Cantos y Suspiros in»
AUG 1 Danish String Quarte»
AUG 2 Les Delices in Vario»
AUG 2 Boston Pops in Lenox»
AUG 3 Boston Pops in Lenox»
AUG 4 Alan Gilbert, conduc»
AUG 5 Tanglewood Music Cen»
AUG 6 Tanglewood on Parade»
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