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» The “Primary Frequencies»
» Basic guide to advanced »
» New Motor for an Old Sot»
» Neumann Dummy Head.
» Analogue to digital conv»
» Benjamin Grosvenor is co»
» The Extraordinary Harvar»
» K-Stereo Ambience Recove»
» Bass impact on Turntable»
» About Single Driver Spea»
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» Getting more from MF cha»
» Janine Jansen
» Performance of a week.
» Some Audiogon realty
» Crossover or non-crossov»
» Yamaha B-2 V-FET amplifi»
» Munich High End 2010
» The high-end audio, as i»
» To hear Haydn for a firs»
» Jaap van Zweden kicks as»
» Ever thought about how m»
» "Something is rotte»
» Thinking about Bruckner »
» Measuring reality: empir»
» The Foolishness of Analo»
» You Can Play the Record,»
» NOhorn channel for “the »
» Rim drive?
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Neal's Recordings
Duke Classical
Tchaikovsky-Research.
The Music Parlour.
Ward Marston's "Marston"»
Sibelius Academy music l»
Truesound Transfers
IMSLP Music Library
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Radiotron Designers Hand»
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AUG 1 Cantos y Suspiros in»
AUG 1 Danish String Quarte»
AUG 2 Les Delices in Vario»
AUG 2 Boston Pops in Lenox»
AUG 3 Boston Pops in Lenox»
AUG 4 Alan Gilbert, conduc»
AUG 5 Tanglewood Music Cen»
AUG 6 Tanglewood on Parade»
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LF Transformer for 6C33C
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Vitavox 330Hz Horn for »
Micro-Seiki air-suspend»
Pacific Microsonics Mod»
Stage Acompany SA8535 d»
Micro-Seiki MAX-282 To»
Ortofon Mono CG 25 Di c»
Altec 515B bass drivers
Micro-Seiki Arm Board
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