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Random Site's Threads
» Measuring reality: empir»
» Hungarian folded horn
» Matching audio to music:»
» How do you position your»
» The best practices for D»
» Designing and building a»
» LeCleach vs. tratrix and»
» The path of simplificati»
» Meitner Audio - Ed Meitn»
» Passive line level cross»
» About Single Driver Spea»
» Naked Sound and Whether.
» His Master Voice’s Shade»
» Where is "Good enou»
» Compression driver phase»
» Monophonic bass: myth an»
» The LCR RIAA correctors
» Audio Sonar Acoustic Lev»
» 3 way Tractrix Horn Buil»
» EMIA Phonostage.
» Montreal audio show phot»
» Windows Based Transport:»
» Instrumental music vs. o»
» 60hz, GPA-515-8ghp horn.»
» The “Wet and Fuzzy” cabl»
» What constitutes a great»
» Playback as an expressiv»
» I'm omnivorous... am I i»
» Ultimate HF output trans»
» An idea of Individual Re»
» San Francisco in Februar»
» Brian Cheney of VMPS
» Vitavox and Goodmans Bas»
» Bruckner Sinfonie Nr.8, »
» Impulse response, short »
» Audio Covid and some hom»
» About the undeveloped au»
» Better solution for bein»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
How many Bits needed for FM, the Accuphase T1000 dilemma. 5563 
What Makes For Good FM? 5563 
Some comments. 5563 
Real world 24 bit recording 5562 
The Bits numbers are fake in a way. 5562 
Some other excellent thought on the subject. 5562 
The Spider in the Bromeliad 5562 
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