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Site News: 22 May 2024
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» Cellist Daniel Müll»
» Suggested target curves »
» How to manage the digita»
» The Ralf Stegmueller’s h»
» To play my 88/24 files o»
» Some thoughts about bass»
» Avid Listener --- Stereo»
» Meitner Audio - Ed Meitn»
» Living Voice Loudspeaker
» DA architecture: True M»
» CDs organisation methodo»
» The idiotism of Audio Sy»
» Thomas Mayer’s Triamp
» A car with vacuum tube..»
» The optimum Sampling Rat»
» Mahler VI - Barbirolli w»
» Educate yourself WHY you»
» Stands for Super Melquia»
» Resonating hi from overs»
» Do not pursue full-range»
» The 60-inch LF driver.
» Direct to Disc: The Brah»
» Playback journeys and Mu»
» Pikovaya Dama / Queen of»
» Anyone know this horn fl»
» SET and speakers: disreg»
» Preamplifiers: keys to m»
» Staxquiades project
» Accidental death music.
» Berlin Philharmonic Dire»
» Russian Orthodox liturgy»
» Multi-amping crossoverin»
» Super Melquiades Amplifi»
» Tchaikovsky Symphony #4
» Deficiency of sensible a»
» Acoustics of Avery Fishe»
» Remote control, problems»
» 2010 Classical Grammy No»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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Classical events in Boston
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My Audio Leftovers
Purist Audio Design Pro»
Kenwood L-02T FM Tuner
Lamm Industries M1.1 Mo»
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Lamm L2 Reference pream»
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Micro-Seiki Arm Board
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