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» The benefits of ultra hi»
» The Church of Denon 103C
» Perspective?
» The open project: a late»
» Tonearms criterias??
» A “pocket version” of Br»
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» German Odeon horns.
» Appearance of listening »
» Boulez' LF-Injected Vers»
» DSET phoned home?
» Altec A2
» Rubinstein at Carnegie H»
» A Moscow setup with Horn»
» Romy the Cat's Audio»
» Pro Audio: JBL SR-4735X
» Baltimore Symphony Appoi»
» Got new mid/high horns. »
» The Free Intent Audio Jo»
» Custom enclosure?
» Turntable speed analysis.
» The power AC Outlets?
» Big mama 1.5" horns»
» The realty of UHF and LF»
» Introduction to “Melquia»
» Loudspeakers and headpho»
» Looking at the pictures »
» "It" Thread
» Prokofiev Classical Symp»
» Nikolaj Znaider's play a»
» How to evaluate playback»
» The most interesting hor»
» Wilson Audio and the Moo»
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» William Kapell legacy an»
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
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Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
Tube outputted CDP's and DAC's 4944 
I personaly avoid any digital with tube output stage. 4944 
I hope its not too late ... 4880 
SS output vs. tube 4879 
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Classical events in Boston
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My Audio Leftovers
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Musatex’s Bidat Model "»
Fane Studio 8 dual conc»
Koetsu Onyx Platinum Ca»
Vitavox S2 Compression »
Electro-Voice T350 twee»
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Micro-Seiki Arm Board
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