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Random Site's Threads
» 6C41C – the journey to n»
» DRU Tube for Melq’s HF c»
» Remote control, problems»
» Bach's performing space.
» Lamm ML2.2 and Mark the »
» CES 2006
» How to make a music pers»
» DVD for pop, SACD for cl»
» REL Precedent Tuner - An»
» Some Audiogon realty
» What you folks got for B»
» A Good Tchaikovsky PC 1?
» Music in the Sound: a mo»
» Beware of "Higher F»
» Dream Hi-Eff Speakers fo»
» Has anyone ever seen the»
» Bruckner 3rd
» Today’s SACD - music for»
» The Hannes Kastner’ Tocc»
» Zeus 6C33C Triode SE Pre»
» Records Box Stuffing
» Do not over-damped your »
» Open cell foam in horns »
» 5-ways from Speedysteve7
» A strange urge.
» Expectations in the conc»
» The industry-embraced au»
» The Nationals Anthems
» Yet another Gould box se»
» Goodbye to EMI?
» The Norman Lebrecht’s ar»
» Choice of Fireware Inter»
» Silicone gel damping?
» Big mama 1.5" horns»
» Tannoy Red 1960s: some s»
» Building a new music room
» Training amplifiers
» 6C33C loading in Super M»
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Sibelius Academy music l»
Tonal tests
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Romy the Cat's personal site dedicated to advanced audio and evolved music reproduction techniques
Thread WITH the new posts.

Legends: "Week" - last week posts, "Bold" - entered last 48 hours.
Listening rooms and composers. 5130 
Rooms can serve music or composers 5129 
Many hypotheses avalabvle…. 5129 
Rooms and Composers 5129 
A perfect summation, not I it nice to dig into reasons 5129 
Longitudinal Well-Tempered Klavier 5128 
The typewriters concertos! 5128 
Glenn Gould Explains Room's Effects 5115 
This is very interesting subject: the cure of audio anti-Brucknerism 5115 
Is This Something You'd Like to Change? 5115 
Size Deficiency and Lack of Interest (musically, of course) 5114 
Mid-bass Deficiency? 5114 
The Dreaded Square Room 5114 
Bruckner as the final test 5112 
About regular listening vs. The Listening. 5111 
On "typewriter music". 5109 
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